Monday marks the start of the semester after a both productive and enjoyable summer. Among the many pleasures of the summer was the opportunity to do more reading unrelated to work. I’m going to share some of my favorites here, and hope that people will comment with some of their own to add to my never-ending list.
On the fiction side I began with The Handmaid’s Tale. I had been hearing a lot of people discuss the television version, and I decided to read Margaret Atwood’s book of the same name. It’s a compelling and rather chilling read, inviting readers to contemplate the end point of sexism, misogyny, and patriarchy.
Another novel that felt somehow timely was Chris Mullin’s A Very British Coup, which had me looking over my shoulder as I strolled through London. The novel revolves around a new Labour Party leader drawn from the left of the party. His supposedly radical program so disconcerts Britain’s elite, that they mobilize to defend their privileged status. It’s an understated political thriller from the eighties which still reads well.
My final fiction read of the summer was The Rise and Fall of D.O.D.O., co-authored by Neal Stephenson and Nicole Galland. It concerns a secretive government agency intent on mastering time travel (that’s “diachronic operations” in the novel’s parlance) in order to avert what has come to be understood as the historical disappearance of magic. It interweaves fantasy and physics (I’d be curious to hear how a physicist would evaluate the authors’ invocation of their epistemology) I enjoyed the first half or so of the book the most, but on the whole it was actually quite good, and came together better than the various elements of the plot sound as I’m writing it down!
On the non-fiction side, early in the summer I read Naomi Klein’s No is not enough, a trenchant book that not only provides a compelling reading of some broader conditions that led to the rise of Donald Trump, but also the beginning of a blueprint for pushing back and, as importantly, articulating alternative policies and political practices. Klein’s emphasis is on the intersectional nature of the environmental, social, economic, and political challenges facing our world, reflecting the complex reality of people’s lived experiences and interdependence.
My experience of David Gessner’s All the Wild that Remains, a mediation on the lives and writings of Edward Abbey and Wallace Stegner, was immeasurably enhanced because I read the book in between strolling the rim and trails of the Grand Canyon, while watching a sunset on Lake Powell, and beside the canyons of southern Utah. Gessner’s book was a pleasure to read, partly autobiographical, partly biographical, partly an homage to the southwest, and partly mediation on the relationship between people and our environments.
Two of my books, fittingly enough since I spent a few weeks of the summer in Sweden, focused on the Nordic region. Anu Partanen’s The Nordic Theory of Everything is very much a piece of advocacy, directed at Americans who are constantly reminded of our exceptional nature, but who in reality often forget just how much better we could have it. Partanen describes the social dislocation, cultural alienation, and economic vulnerability she experienced upon moving to the United States, and spends the book pointing out how the Nordic states in general, and often Finland more particularly, address the points of weakness or gaping holes in the American social safety net. I hear much of this daily from my wife, but what struck me most about the book was what Partanen implicitly identifies as the very liberal underpinnings of the Nordic welfare states. To her mind, far from being states constructed along rigidly ideological social democratic (never mind socialist) lines, these were states that used the tools of social democracy to achieve a very liberal end: the emancipation of individuals from dependency and uncertainty.
Dominic Hinde’s A Utopia Like Any Other was a very different sort of book on twentieth century social democracy. His investigations revolve around how the hegemony (he’s on the fence about the applicability of the term) of the Social Democratic Party in twentieth century Sweden shaped the country’s welfare state, architecture, housing, cultural politics, and more. In some sense the chapters read more like a fascinating collection of essays. But at the core of the book’s argument is the idea that there was no Swedish sonderweg that led to the creation of a utopia that faces a surprisingly uncontested (here Hinde identifies the anemic technocracy of the Social Democrats) unmaking (by the liberal Alliance riksdag grouping). Instead, the construction of this utopia and others--and here Hinde has his native Scotland in mind, but it applies more broadly--is contingent and requires constant political labor.
Mahmood Mamdani’s When Victims Become Killers deals with the historical roots and contemporary interpretations of the Rwandan genocide. Mamdani is a brilliant scholar, whose work on colonial governance, the relationship between humanitarian rhetoric and neocolonial practice, and authoritarianism in Uganda, and this work on Rwanda did not disappoint. I’m not an expert on the Great Lakes region, but I found the book deeply informative and thought-provoking. Parts of it are theory-heavy and slow-going, but definitely worth it.
Among the regrets and sadnesses I felt when my grandfather died in December was not having asked him often enough about his youth in El Salvador. It was with that in mind that I picked up Matt Eisenbrandt’s book, Assassination of a Saint, which documents the assassination of San Salvador Archbishop Oscar Romero, and the decades-long quest for even a whiff of justice. Eisenbrandt’s book is partly about his own work in pursuing one particular strand of that search for truth and justice, and partly about the broader historical and social context. His description of how El Salvador’s elite and military, with the assistance of the U.S., conspired to strangle anti-authoritarian and social and economic justice movements in the country, was particularly harrowing because it so close to home in many ways.
Some other fantastic books from the past six months would have to include Peter Kimani’s novel, Dance of the Jakaranda (dealing with race and power in Kenya during and after colonialism); Asne Seierstad’s One of Us (on white supremacy and terror in Norway); Yaa Gyasi’s novel Homegoing (on the powerful cross generational, trans-Atlantic experiences and persistence of a Ghanaian family); and Africanist historian Terence Ranger’s memoir, Writing Revolt (about his time in the 1960s in Southern Rhodesia, now Zimbabwe).
Probably my favorite of the past year, and one to which I’ll return briefly Monday morning on my bus ride to mark the start of the semester, was the third installment of Ngugi wa Thiong’o’s memoirs, Birth of a Dream Weaver. The book documents Ngugi’s university years, surrounding the moments of independence in East Africa. The author is a celebrated Kenyan author, and his other memoirs have centered on his childhood in Kenya. This book, however, revolved around his time at Makerere University in Kampala, Uganda. It captured beautifully how learning, art and theatre, student politics, and geographical dislocation reflected the transformation of decolonization and independence. And it was moving because my own fleeting months at Makerere, and the ways in which it captured something timeless about the student experience, something that will undoubtedly permeate the atmosphere on campus beginning Monday.
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A few things I'm excited about reading in the coming months: John Grindrod's Concretopia: a journey around the rebuilding of postwar Britain; Abdulrazak Gurnah's Gravel Heart; Imbolo Mbue's Behold the Dreamers; Deepak Unnikrishnan's Temporary People; Svetlana Alexievich's Secondhand Time; Ibram Kendi's Stamped from the Beginning; and Patrick Barkham's Badgerlands. Plus more.
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A few things I'm excited about reading in the coming months: John Grindrod's Concretopia: a journey around the rebuilding of postwar Britain; Abdulrazak Gurnah's Gravel Heart; Imbolo Mbue's Behold the Dreamers; Deepak Unnikrishnan's Temporary People; Svetlana Alexievich's Secondhand Time; Ibram Kendi's Stamped from the Beginning; and Patrick Barkham's Badgerlands. Plus more.